Yoko Kitazaki

I sometimes see images of colors vividly like an image projected on the screen.
There are emotions that I catch from those images at the same time.
The image that suddenly appeared the other day was a blazing red moon floating in another dimension, which was a bit intimidating.
On May 26th, the Moon was in total eclipse.
I received the word “awakening” from the red moon.
Would you like to take a look at the future of the Earth with me?

Yoko Kitazaki

Lunar Eclipse

acrylic gouache on canvas
20.87 x 20.87 inches
2021
$770 (without frame)

Yoko Kitazaki

Awakening

acrylic gouache on canvas
20.87 x 20.87 inches
2021
$770 (without frame)

The shadow of the Earth covers the full moon and creates a lunar eclipse.
That shadow contains everything that exists on the Earth.
Not only human beings, animals, and plants, but also lands and the open sea…
All their souls overlap with the full moon and the portal to another dimension opens.
The space gets distorted and the moonlight gets shoved into the darkness.
Then the red moon mirror that reflects the demon world appears as the sky turns into an alternate space.
What kind of future do you see in that mirror?

地球の影が満月をおおうことで月食になります。
それは、地球上に存在するもの全ての影です。
人類・動物・植物だけでなく、大地も大海原も・・・


それら全ての想いが満月に重なり、異次元へのポータルが開きます。
空間は歪み、月の光は闇へと押し出されます。
やがて天空は異空間となり、魔境となった赤い月が現れます。
あなたは、その鏡にどのような未来が見えますか?

 

 

Yoko Kitazaki JCAT Painter

Yoko Kitazaki was born in Kyoto and learned oil painting from an early age. She loved the layered colors of “Water Lilies” drawn by Monet, and she wanted to express the changing light. She majored in dyeing at Kyoto City University of Arts, and in the past, dyeing and oil painting were the means of expression.
With the changes in the world in 2020, she began to create abstract paintings using acrylic paints. Monet’s colors and the dyeing design still influences her expression.
Her current activities are exhibited at overseas exhibitions such as Divulgarti in Italy. The theme of her production is based on duality and contains the message of “Seeing the whole phenomenon from the viewpoint of the mind. ”As a feature of the work, she changes the smooth paints to“ movement, flow, luster, lumps, and cracks” and so on. This is due to her idea of rebonding the pigments.

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